Chapter Twelve: My Way: On My Own Terms |
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I left that Thursday for my mother's funeral. When I returned the following
day to shoot the two tapings in front of two different live audiences, I was
met with the most unacceptable re-writes of all.
When I read the profanity in the script and saw the large bag of
potato chips left on her desk presumably for her to eat during a scene, I
decided I’d had enough. I
asked the "A.D."(Assistant Director) to get the producers. The
writer/producer team immediately came to the set. Baffled, one of them
asked, "Yes, Adilah? What's the matter?" I told
them, "Each day I read my re-writes, I like my character less and less.
I feel like I don't know her anymore." I went on to say, "My mouth
cannot form these new words." I
could feel their panic. Here we were on tape day in front of two live
audiences on the last workday of our pilot, and I was saying I did not want
to go on camera with their final script. One of them said, "We'll be
right back." They
huddled. I
waited. I had
no intention of portraying my character using the latest version of the
script. Putting my job and name on the line, I was prepared to walk. I was
clear I was not going to portray my character on national television in the
way I was being asked. I was unwilling to perpetuate yet another stereotype.
The responsibility I felt to myself and to my culture would not allow me to
represent that way. Though
I had not deliberately planned to put the producers up against the wall, the
truth was they would have been very hard-pressed to find another actor to
take over my role that same day. They would have to find someone in a matter
of hours. There
was a lot riding on this situation on both sides. The
writer/directors joined me minutes later and one said looking through his
glasses, "Okay. We are going to change the writing back to how it
was." I
said, “Thank you.” The other
asked pointedly, "Do you know how many actresses we read for this
role?" I said,
"Yes." He went on
to say, "Most of them would have done whatever we asked them to
do." I said,
"I know that." I further explained, "They would have done so
not because they wanted to, but because they wanted to work. Some of them
also wanted to please you." I
added, "If I never work a day in LA again, I will work. I have a
one-woman show I tour all over this country." They
were silent. We
made it through that tape day. I gave my best. The tapings went well. Both
live audiences seemed to enjoy the humor in our sit-com pilot. The producers got a strong
performance out of me and I got to play the role the way I wanted. It was a win/win situation. |
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